Is that name a taunt? I wonder how many blog write-ups this track and its numerous remix versions have had that haven’t made reference to that decade-defining Danny Boyle film (no, not The Beach). This latest refix, courtesy of AmpLive, has a pretty cinematic scope itself; its narrative arc beginning with anticipatory synths and the sort of slippery vocal gabbling Karl Hyde made his name with, before the electro-throbbing thing peters out into tender piano chimes. Are we supposed to take these as denoting a victory of some kind? I dunno, suh, for now this is just the trailer for a full, new Underworld album called Barking, out September 14 through Cooking Vinyl.

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